已完结
选集列表
剧情简介
A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.
观众心声
英雄的华沙工人万岁？那搬砖的华沙工人呢？要知道，英雄的华沙工人可是不搬砖的哟～英雄的华沙工人只会喊英雄的华沙工人万岁，然后喊搬砖的华沙工人搬砖。
有些镜头很像生命烙印。
影像是生活的表面，旁白才是真实与自我感知的流露，基耶似乎是在呼吁人们不要沉默以对
大时代背景下小人物兜兜转转的轮回式人生揭露，旁白的内心独白真实，返璞归真令其由衷平和安宁 感觉一生没有白费。镜头对比强烈，人物大特写及群像，结尾的航拍与大光圈砌砖特写遥相呼应，瞬间升华情感力量。基氏总以并不激进的方式痛斥着对波兰社会的失望
镜头感极佳，结尾的砌砖意味深远