This is an English-language contemporary adaptation of French writer Françoise Sagan’s classic novel Bonjour Tristesse. The story follows Cécile (McInerny), a young woman spending the summer in a villa in the south of France with her widowed father Raymond (Bang) and his latest love interest, Elsa (Harzoune). Theirs is a lived-in compatibility—a world of ease and languor. But all that soon changes with the arrival of Anne (Sevigny), an old friend of Raymond and Cécile’s mother. Anne’s presence and deep connection to the past alters the villa’s mood. While her way of life appears mismatched with theirs, an attraction—years in the making—forms. Desperate to regain control, Cécile sets in motion a plan to drive Anne away with tragic consequences.
大师的摄影课加一星
把萨冈写的1950s的故事平移至2020s的当代背景之下 看人类如何亘古不变地演绎爱与情欲、嫉妒与操纵
美,就够了。精神的欢愉,大过无聊的剧情。
不知道为什么想到一句形容Van的话,觉得很适合这一部: 好山好水好无聊,好景好物无剧情。大约是年少忧愁,后来看还是太轻。Cineplex. IV.
#TIFF2024#3.5.表面比实质精彩的feature debut,南法的夏天在镜头前熠熠生辉,再次把Françoise Sagan带有Freudian气质的夏日忧郁故事搬上银幕,Chew-Bose似乎没有想清楚为什么自己要拍这个故事,如何与Preminger“珠玉在前”有所区分。事实上本片的故事和人物都处在一种拘束的状态,对于Sagan缺乏任何现代性的解读,除了Chloë Sevigny呈现了自己版本的Anne,其他人物似乎是对58年版本的简化模仿(Claes Bang魅力有余,力度却不足)。成长不可避免的嫉妒与忧郁,爱情带来的欲望与虚妄,都会随海风逝去,McInerny染成金发的怀念却不是那年剪去长发的Jean Seberg了。
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